There is something meditative about carving linoleum: every cut is a decision about what is shown and what stays in the dark. In this post I share how I work on the linocut series and what draws me to this ancient medium.
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Reflections
Surrealism as a personal grammar
I didn't arrive at surrealism by reading Breton — I arrived by watching what appeared when I stopped controlling the brush. Here I reflect on how the unconscious has its own visual logic and why I keep trusting it.
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Symbolism
The eye that appears everywhere
Someone once asked me why there is an eye in almost all of my works. The answer isn't simple. For me the eye is not surveillance or mystery for its own sake — it is presence, the mark that something lives inside the form.